In their original Greek version, Doric columns stood directly on the stylobate of a synagogue without a base; their vertical shafts were fluted with fit concave grooves; and they were pass by a smooth nifty that flared from the column to escort a square abacus at the crossway with the entablature that they carried. A pronounced feature of both Greek and Roman versions of the Doric order are the triglyphs and metopes. The triglyph is largely thought to be a representation in stone of the wooden strike ends of the typical ear thy hut. A metope is the space between tw! ain triglyphs of a Doric frieze. Metopes were often decorated with carvings; the most celebrated example is the metopes of the frieze of the Parthenon. The Greeks matte up that the receding triglyph should form the corner of the entablature, creating an inharmonious mismatch with the encouraging column. Which is more symbolic of what the entabulature would pitch looked like in uninitiate buildings....If you want to get a full essay, order it on our website: BestEssayCheap.com
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